for Flute & Piano Reduction
Series: Henle Music Folios
Publisher: Henle Urtext Edition
Composer: Wolfgang Amadeus Mozart
Editors: Siegfried Petrenz, András Adorján, Robert D. Levin
Edited by András Adorján. Piano reduction by Siegfried Petrenz. Cadenzas by Robert D. Levin.
Opus 2 arranged for flute and piano. Carl Nielsen's Two Fantasy Pieces Op.2 are 2 contrasting pieces for the advancing oboist arranged for flute by editors James Galway and Toke Lund Christiansen. The piece begins with a lyrical Romanze and concludes with a rhythmic and punchy Humoresque.
For flute with Piano accompaniment. The flute part is also included on a separate insert.
This is an updated edition of Francis Poulenc's 1957 work, edited by Carl Schmidt. Featuring the full score and separate flute part, this exclusive edition also includes a download card with instant online access to demonstration and accompaniment tracks. Includes an extensive introduction and performance notes.
The Schirmer edition of Prokofiev's Sonata Op. 94 is based on previously printed editions and recordings of his Op. 94. This edition retains the solo flute and solo violin parts in the piano score showing the differences made by the composer for both versions of his work.
For flute and piano. This delightful concerto was written for the celebrated flutist James Galway, to whom the work is dedicated. Joaquín Rodrigo uses a small orchestra with deft colouring to support his soloist and there is a definite feeling of freedom and joy in the outdoors about the work. There are three movements, which all feature Galway’s great virtuosity but the central movement bears the weight of the concerto, as it does in his Concierto de Aranjuez: an Adagio tinged with melancholy which is interrupted by an Allegro in pastoral rhythm announced by the flute and passing in turn to the various instruments of the orchestra in different keys; after a brilliant cadenza for the flute it then resolves into an Allegretto for the return to the melodic theme.
For solo flute. The composer wrote this work while studying the Taegum, the Korean bamboo transverse flute. It was originally written for the Taegum, but here is adapted for the modern flute. "Music with a distictly Korean flavor." Grade 5-6.
Combines traditional forms with neo Romantic melody and harmony. While at times paying subtle homage to Old World masters such as Prokofiev, Shostokovich and Martinu, the intriguing use of jazz inflections gives the work a distinctively American flavor. Grade 5. Duration: 15'.
For flute and piano. This Fantasy is one of five grandes fantaisies on famous late 19th century operas. The Freischutz fantasy may well be Taffanel's most accomplished piece. Based on what is considered the first great Romantic opera (Der Freischutz was composed by Carl Maria von Weber [1786-1826] between 1817 and 1821), its musical richness imbues the piece with an epic spirit. Far from being a mere catalog of operatic themes and variations, the fantasy builds on three arias: Agathe's "leise, leise fromme Weise" (Act II); Max's aria with cello solo (Act III, Finale) and Annchen's arriette: "Kommt ein schlanker Bursch gegangen" (Act II).